In A Cult of Isis, the audience sees a ritual performed three times. And each time, the performing of it reveals a new layer of information. In the final version, the audience realizes that what they thought they were watching is not what was really going on.
“Combining dance, music, and myth, (A Cult of Isis) is a painstakingly choreographed, detailed piece, with visual and aural layers--Beckie Kravetz's masks, Robert Velasquez's streamlined costumes, Susan Christiansen's haunting music--as artfully calculated as its character revelations.” - Backstage West